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Charlie Chan at Treasure Island

Twentieth Century-Fox Film Corporation Distributed: Twentieth
Century-Fox Film Corporation, September 8, 1939 Production: April 17 to May 13, 1939 Copyright: Twentieth Century-Fox
Film Corporation, September 8, 1939; LP9300 Sound: RCA High Fidelity Recording Film: Black and white Length: 8
reels, 6,633 feet Running Time: 72 or 74 minutes Production Code Administration certificate number: 5321 Source:
Based on the character "Charlie Chan" created by Earl Derr Biggers
Executive Producer: Sol M. Wurtzel (not credited) Associate Producer:
Edward Kaufman Director: Norman Foster Assistant Director: Charles Hall (not credited) Original Story and Screenplay:
John Larkin Photography: Virgil Miller Art Direction: Richard Day and Lewis Creber Film Editor: Norman Colbert
Set Decorations: Thomas Little Costumes: Herschel Musical Direction: Samuel Kaylin Sound: E. Clayton Ward
and William H. Anderson
CAST (as credited):
Sidney Toler: Charlie Chan Cesar Romero:
[Fred] Rhadini Pauline Moore: Eve Cairo Sen Yung: Jimmy Chan Douglas Fowley: Pete Lewis June Gale: Myra Rhadini
Douglas Dumbrille: Thomas Gregory (alias Stewart Salisbury) Sally Blane: Stella Essex Billie Seward: Bessie Sibley
Wally Vernon: Elmer Kelner Donald MacBride: Deputy Chief J.J. Kilvaine Charles Halton: Redley Trevor Bardette:
Abdul (called "The Turk") Louis Jean Heydt: Paul Essex (alias Paul Ellison)
UNCREDITED CAST (alphabetical):
Jack Chefe: Audience Member
Heinie Conklin: First Taxicab Driver
Sayre Dearing: Audience Member
John Elliott: Backstage Doctor
Bud Geary: Police Officer at Station House
Harold Goodwin: Airline Steward
Fred Kelsey: Lead Detective in Taxi and Theater
Al Kikume: Hawaiian Village Waiter
Kay Linaker: Séance Apparition
Hank Mann: Second Taxicab Driver
Margaret Mann: Airline Passenger
Frank Meredith: Second Detective
Harold Miller: Audience Member
Bruce Mitchell: Police Desk Sergeant
Hans Moebus: Audience Member
Gerald Mohr: Dr. Zodiac
Bert Moorhouse: Audience Member
David Newell: Audience Member
Harry Owens: Band Leader
Imboden Parrish: Airline Passenger
Tom Quinn: Person at Arrival Gate
Arthur Rankin: Airline Official
Frank Rapport: Audience member
Gloria Roy: Airline Passenger
Jeffry Sayre: Man at Landing Gate
Harry Strang: Taxicab Dispatcher
Charles Tannen: Airline Passenger
Freddie Tavares: Steel Guitar Musician
Edwin Tuttle: Audience Member
SUMMARY:
Charlie Chan is accompanied by his son Jimmy on the China Clipper from Hawaii to San Francisco.
Jimmy, who is frightened by the bad storm that the plane is passing through, promises his Pop that, upon their arrival,
he will immediately take a train and return to his college studies. "Do not let fair skies tomorrow change restless
mind," says a pleased Charlie Chan.
Also on the plane is Chan's friend, writer Paul Essex, who has just completed
a mystery novel about a fake mystic. Essex is pestered by Thomas Gregory, an insurance actuary, who slyly reads a disturbing
radiogram that Paul receives.
As the plane prepares to land in San Francisco, it is discovered that Paul Essex is
dead of an apparent suicide. Chan reads the radiogram, which warns of the dire consequences if Zodiac obligations are
ignored. At the airport, Chan breaks the tragic news to Paul's wife Stella.
While still aboard the plane, Jimmy
had noticed that Paul's briefcase, containing the manuscript, was missing. Both Chans suspect that it is now in the
hands of Gregory, whom Jimmy follows, while Chan, hailing a taxi, is suddenly forced into one, and finds that he is being
kidnapped. The master detective soon sees through the ruse of his two "abductors" who are actually plainclothes police
officers.
Arriving at police headquarters, Chan is greeted by Deputy Chief J. J. Kilvaine, an old friend, and is introduced
to reporter Pete Lewis, another acquaintance of Chan's, and magician Fred Rhadini whom Chan had met years before when, during
a performance, he had borrowed the detective's watch for a magic trick returning it "in pieces." Rhadini, who operates
Rhadini's Temple of Magic at the World's Fair on San Francisco's Treasure Island, and Lewis explain that they are on a crusade
to expose fake psychics. Their primary target is an individual who is known as Dr. Zodiac, whom they suspect is behind
the suicides of three individuals who were his clients. Chan, who suspects that Paul Essex is Dr. Zodiac's fourth victim,
states, "In humble opinion, suicide induced by blackmail is murder."
Chan goes to Zodiac's mansion and is followed
there by Pete and Rhadini, who is thinly disguised as a Berkeley professor. At the door, the three ask to consult with
the heavily masked spiritualist. While Rhadini and the reporter proclaim that Zodiac is a fake, Chan cautions them to
be careful because of the psychic's obvious mental delusions.
Later that evening, Chan attends a party that Rhadini
hosts in honor of San Francisco's Golden Gate International Exposition, where he is fascinated by the mind reading abilities
of Eve Cairo, who is Rhadini's assistant and Pete's girlfriend. Later during the party, a knife is thrown at the detective
by an unseen assailant, but narrowly misses its target.
After the party, Chan, returning to Zodiac's mansion, is once
again followed there by Pete and Rhadini. Upon entering the supposedly deserted edifice, the trio discovers that Jimmy
is also there. The information that Dr. Zodiac has been using to blackmail his clients is found, and Chan makes sure
that all of the files are burned. "Am asking flames to keep secrets of many unfortunate people," says a somber Chan.
The
next day, Chan decides to use Dr. Zodiac's vanity to trap him. Rhadini issues a public challenge to Zodiac to put his psychic
powers to the test at Rhadini's theater. Zodiac accepts the challenge and arrives at the theater in a suitably dramatic
fashion. However, while Rhadini is levitating Eve Cairo above the audience, Dr. Zodiac is murdered. When his mask
is removed, the victim is revealed to be the medium's servant, Abdul, "the Turk."
CONCLUSION:
Kilvane then informs Chan that Gregory, who is in the audience, is actually Stewart Salzbury, an insurance
detective currently investigating the suicides. Working together, they help recreate the levitation trick to determine who
killed Abdul. This time, instead of Eve Cairo, Jimmy is positioned on the levitating table. When Rhadini performs
the trick again, the magician is stabbed in the shoulder by a knife. Chan then employs Cairo's mind reading ability
to help identify the assailant and murderer. While Chan questions Eve, she states the Dr. Zodiac is not dead and that
he is in the theater. Suddenly, a hand appears with a gun. The gunman is overcome, and is seen to be Rhadini,
the real Zodiac, who had had Abdul pose as the medium in order to fool the police into thinking that he was dead. Chan
demonstrates how Rhadini had used his magic wand as a blowgun to kill Abdul. He then wounded himself to avoid suspicion.
After Rhadini is arrested and taken away, Jimmy, who stands next to his pop, falls through a trap door on stage. Chan
faces the audience, smiling with apparent satisfaction as the curtain descends and the case is closed.
NOTES: According to Hollywood Reporter
news items and production charts, John Carradine and Joyce Compton were to be included in the cast of this film, but their
participation in the completed picture is doubtful. It is of interest, however, to note that two photographs,
one that is certainly of John Carradine and another that is very possibly of Joyce Compton, can be seen on a wall in
Rhadini's office in Charlie Chan at Treasure Island. According to Kay Linaker, Gerald Mohr was the voice of
Dr. Zodiac. An April 19, 1939 Hollywood Reporter news item refers to the film as "Charlie Chan at the World's
Fair." The Golden Gate International Exposition, held on Treasure Island in San Francisco Bay February 1939 to October
1940, provided the backdrop for some of the picture's action.
Adapted from: AMERICAN FILM INSTITUTE CATALOG - Within Our Gates: Ethnicity in American
Feature Films, 1911-1960
CHARLIE CHAN'S APHORISMS:
One scholar in family better than two detectives.
Only diligent workman can survive Hawaiian hospitality.
Unhappy news sometimes correct
self next day.
Impossible to miss someone who will always be in heart.
Sometimes black magic very
close to blackmail.
Do not challenge supernatural unless armed with sword of truth.
Even draperies may have ears.
If request music, must be willing to pay for fiddler.
To destroy false prophet, must unmask him before eyes of believers.
Father who depends on son is happy or
foolish according to son.
"Great happiness follows great pain." (Spoken by Eve Cairo
as she read Chan's mind)
Do not need brass band to commit simple burglary.
Favorite pastime of man is fooling
himself.
Anything possible.
If befriend donkey, expect to be kicked.
Crime never solved
by books.
Swelled head sometimes give police more cooperation than criminal mistake.
Obvious clues, like tricks in
magic, usually prove deceptive.
OTHER WORTHY STATEMENTS:
Do
not let fair skies tomorrow change restless mind. (To Jimmy who, because of his fear of flying
during a bad storm, expressed his love and appreciation for his Pop)
Strange for man who gambles on life for business to cause death for pastime.
(To Paul Essex regarding Thomas Gregory)
Hope hospitality [of San Francisco] will have same generous size as shoes of brother police
officers. (To the two plainclothes officers who had just "kidnapped" Charlie Chan)
In humble opinion, suicide induced by blackmail is murder. (To
Pete Lewis and Fred Rhadini)
Voice of crime still very faint. (To Deputy
Captain Kilvaine)
Hunch say "yes" but facts say "maybe." (To Deputy Captain
Kilvaine)
Little mouse lucky his clothes do not fit elephant. (To Jimmy who
had just noted that his Pop was wearing his best tie)
Sharp words from sharp tongue? (To
Betsy Sibley regarding Myra Rhadini)
Finger of death fit glove perfectly. (After
placing a knife in its scabbard which was found on "The Turk")
Am asking flames to keep secrets of many
unfortunate people. (To Pete Lewis and Fred Rhadini after setting fire to Dr. Zodiac's
files containing information used to blackmail individuals)
We are destroying web of spider, now let us
find spider. (To Pete Lewis and Fred Rhadini)
Modesty forbids acknowledgement. (To Thomas Gregory following
a compliment)
Young man imitate puppy dog chasing bumble bee. (Regarding
Jimmy as he runs out to chase suspect Thomas Gregory)
Criminal egotist find pleasure in laughing at police. (To Pete Lewis and Jimmy)
Recommend you imitate excellent
example of Sphinx and keep silent. (To Jimmy)
JIMMY
CHAN'S "CHANISM":
As Pop would put it: "Swelled head gives owner more trouble than indigestion."
REVIEW:
Variety, August 23, 1939
In this one, Charlie Chan bumps into a murder mystery involved with the psychic and astrological
and proceeds to unravel the affair at a performance in a Treasure Island (San Francisco Fair) theatre. With Chan's gumshoeing
abilities now well known to film audiences after about 25 episodes, solution is secondary to the story unwinding through a
maze of weird and spooky episodes.
Picture is rather slow in spots, but holds up generally to pace set by previous
Chan adventures to satisfy the whodunit fans in the subsequent runs as supporting feature. Only reason for the Treasure
Island tab in title is to tie into topical situation. Aside from a few stock shots of the western fair, theatre supposedly
on the grounds could be anywhere.
When fiction writer friend of Chan is suicide on Clipper plane bound for Frisco,
Chan interests himself in finding the reasons. Trail leads him to Zodiac, racketeering mystic, who holds clients in
his power through threats of blackmail. Chan is assisted by Cesar Romero, operating illusionist theatre at the Fair,
and Douglas Fowley, reporter exposing rackets of the mystics and astrologists. After usual confusing trails presented
to the audience, with Douglas Dumbrille pointed as most likely suspect, Chan discloses the identity of Zodiac during performance
on the theatre stage.
Romero, Dumbrille, Donald McBride and Fowley are most prominent in support. Chan's No.
2 son, Sen Yung, does much to confuse things with amateurish display of detecting abilities.
Production background
is up to standard set by previous releases in the series.
FILM NOTES:
PROBABLE DATE: October
22-23, 1939 (Charlie Chan states, "Tomorrow is first day of scorpion symbol in Chinese calendar." Since the Chinese
calendar is based on twelve animals, not including a scorpion, we must assume that Mr. Chan was slightly confused and simply
meant that "tomorrow" would begin the month of Scorpio based on the Western horscope. Therefore, "tomorrow" would be
October 23.)
DURATION: Two days
LOCATION: San Francisco, California
JIMMY CHAN'S CURRENT AGE: 20 (Jimmy states that he
will be 21 "...if I reach my next birthday.")
ACCORDING TO THOMAS GREGORY'S STATISTICS, THE NUMBER OF YEARS
THAT JIMMY CAN EXPECT TO LIVE: 45.16 years
THE TITLE AND AUTHOR OF THE NOVEL READ BY CHARLIE CHAN ABOARD THE CLIPPER: Romantic Moon by Michael Shawn

ACCORDING TO PAUL ESSEX, THE PRICE THAT ONE WILL EXPECT TO
PAY FOR A COPY OF HIS NEW BOOK WHEN IT IS RELEASED: $2.00
THE LOCATION IN HONOLULU WHERE PAUL ESSEX AND THOMAS GREGORY
HAD NEIGHBORING BUNGALOWS: Waikiki
THE CALIBER OF THE GUN THAT, ACCORDING TO PAUL ESSEX, THOMAS
GREGORY USED FOR "SHOOTING LITTLE BIRDS": .22
THE MONUMENT AT THE 1939 "CENTURY OF PROGRESS EXHIBITION"
THAT WAS NOTED BY THE PASSENGERS OF THE PAN AMERICAN CLIPPER AS IT PREPARED TO LAND IN SAN FRANCISCO: Tower of
the Sun (mistaken by Jimmy Chan as the Chinese Pagoda)

THE RADIOGRAM RECEIVED BY PAUL ESSEX ABOARD THE CLIPPER:

THE BRIDGE SEEN BEHIND CHARLIE CHAN WHO STANDS NEAR THE
TREASURE ISLAND CLIPPER DOCK: Oakland-San Francisco Bay Bridge (completed in 1936)

THE LENGTH OF PAUL ESSEX' STAY IN HONOLULU: One month
THE TEXT OF PAUL ESSEX' RADIOGRAM SENT TO HIS WIFE AS READ BY MR. REDLEY:
"CAN'T ESCAPE ZODIAC.
GOOD-BYE MY LOVE.
PAUL"
THE POSITION IN LINE OF THE TAXICAB THAT PICKED CHARLIE CHAN
UP: Eighth ("Number eight up!")
THE NUMBER OF THE YELLOW CAB COMPANY TAXI THAT
PICKED UP THE "KIDNAPPED" CHARLIE CHAN: 336
CHARLIE CHAN'S FRIEND: Deputy Captain J.J. Kilvaine
ANOTHER FRIEND OF CHARLIE CHAN: Pete Lewis (Charlie
Chan: "Police reporter Pete Lewis, friend of many years.") (Pete Lewis: "I've known Charlie ever since I started covering
the police blotter at the old Powell Street station.")
THE NEWSPAPER FOR WHICH PETE LEWIS WORKED: The San
Francisco Union-Telegram
WHEN CHARLIE CHAN HAD LAST SEEN RHADINI PERFORM: "Five
years ago" (1934) (According to Charlie Chan, Rhadini had borrowed a watch "...five years ago for trick and returned
in many pieces." [probably during a performance in Honolulu])
THE PRESS CLIPPINGS THAT RHADINI SHOWED TO CHARLIE CHAN BY PULLING THEM
FROM THE DETECTIVE'S POCKET:

THE NOTE HANDED TO CHARLIE CHAN AT POLICE HEADQUARTERS:

CHARLIE CHAN'S HOTEL IN SAN FRANCISCO: St. Francis
THE TEXT OF THE ENGRAVED SIGN OUTSIDE OF DR. ZODIAC'S RESIDENCE:

THE IDENTITY USED BY FRED RHADINI AT DR. ZODIAC'S HOUSE:
Professor Bixby of Berkeley
THE ANTIQUE ITEMS AS NOTED BY CHARLIE CHAN AT DR. ZODIAC'S HOUSE:
"Table lamp of ancient Egypt - Rameses Dynasty"
"Persian sacrificial knife - also very old"
DR. ZODIAC'S INTRODUCTORY TITLE: "Dr. Zodiac, the
Eye of Allamatta."
ACCORDING TO DR. ZODIAC, THE IDENTITY OF HIS "CONTROL"
DURING THE SEANCE: "An Egyptian priestess who passed beyond 3,000 years ago."
DR. ZODIAC'S FEE FOR CHARLIE CHAN'S "PSYCHIC CONSULTATION":
$20
THE HOTEL WHERE THOMAS GREGORY ORIGINALLY STAYED IN SAN FRANCISCO:
Hotel Walling
THE LOCATION OF THE PARTY THROWN BY FRED RHADINI AT TREASURE
ISLAND: "Hawaiian Village"
ACCORDING TO THOMAS GREGORY, THE ODDS AGAINST FELLOW TRAVELERS
MEETING AGAIN WITHIN 48 HOURS: "...40 to 1..."
ACCORDING TO FRED RHADINI, THE NUMBER OF PERFORMANCES GIVEN
BY RHADINI EACH DAY AT THE "TEMPLE OF MAGIC" ON TREASURE ISLAND: "...I'll give two performances a day at the Temple
of Magic."
THE QUESTIONS ASKED BY RHADINI OF EVE CAIRO WHILE THE LATTER WAS UNDER HYPNOSIS
(AND HER ANSWERS):
Rhadini: "What have I in my hand?"
Cairo: "It is a ring, a gold wedding ring. In it are engraved
words: 'Bopsie loves Toots.'"
Rhadini: "I've been asked a question; what is it?"
Cairo: "The lady wishes to know if she will marry again this
year."
Rhadini: "What have I in my hand?"
Cairo: A card. There are Chinese characters on it...
(after reading Charlie Chan's mind as to the meaning ot the characters) The Chinese words mean: 'Great happiness
follows great pain.'"
Rhadini: "Can you tell us what else Mr. Chan is thinking?"
Cairo: "Dr. Zodiac. I hear the name Dr. Zodiac in his
thoughts."
Rhadini: "Would you please concentrate Miss Cairo. What
do I hold in my hand?"
Cairo: "It is...you...There's someone else. I can't go
on...I can't. I hear death among us. I'm frightened. There's evil here. Someone here is thinking murder!"
THE FAMOUS VENTIRILOQUIST'S DUMMY AS MENTIONED BY CHARLIE
CHAN: "Doctor (Zodiac) excellent ventriloquist - uncle maybe to Charlie McCarthy."
THE COMBINATION TO DR. ZODIAC'S SAFE AS FOUND BY CHARLIE CHAN:

THE NEWSPAPER PHOTO OF PAUL ESSEX WITH CAPTION AS FOUND BY CHARLIE CHAN IN A
FILE IN DR. ZODIAC'S SAFE:

ACCORDING TO CHARLIE CHAN, THE GIST OF THE STORY WRITTEN
BY PAUL ESSEX: "...story about fake psychic who blackmail clients."
THOMAS GREGORY'S ACTUAL OCCUPATION: Private investigator
for the Granville Insurance Company
THE BOOK USED BY CHARLIE CHAN TO LOOK UP DR. ZODIAC'S PROBABLE
PSYCHOLOGICAL DISORDER: History of Psychology by Kahne
ACCORDING TO CHARLIE CHAN, THE DISORDER THAT BEST EXPLAINED
DR. ZODIAC'S BEHAVIOR: "...pseudologia fantastica."
THE DESCRIPTION OF "PSEUDOLOGIA FANTASTICA" AS READ FROM
KAHNE'S BOOK BY CHARLIE CHAN: "Pathological liars and swindlers suffer
from exaggerated fantacy, unleashed vanity, and great ambition which robs them of caution known to saner men."
THE SAN FRANCISCO UNION-TELEGRAM HEADLINE AND STORY:

THE TEXT OF THE NOTE LEFT AT RHADINI'S TEMPLE OF MAGIC BY DR. ZODIAC:

THE LOCATION OF RHADINI'S TEMPLE OF MAGIC: Across
from Greenwich Village
THE TEXT OF THE POSTER LOCATED AT THE LEFT SIDE OF THE ENTRANCE TO RHADINI'S
TEMPLE OF MAGIC:
"EVE CAIRO
THE
WORLD'S GREATEST
LIVING
MIND
READER"
THE TEXT OF THE POSTER LOCATED AT THE RIGHT SIDE OF
THE ENTRANCE TO "RHADINI'S TEMPLE OF MAGIC":
"RHADINI
THE
INDESPUTABLE
MASTER
OF
MAGIC"
THE LAST PAGE OF PAUL ESSEX' MANUSCRIPT, THE OTHER SIDE OF WHICH CONTAINED THE
WRITTEN MESSAGE FROM DR. ZODIAC:


THE SIGN AT THE PIGMY HUNTER DISPLAY AT RHADINI'S TEMPLE OF MAGIC:

THE SIGN AT THE PIGMY HUNTER DISPLAY AS IT APPEARED MOMENTS BEFORE, ALSO NOTING THE COSTUME
VARIATION:

TWO PICTURES SEEN ON THE WALL OF RHADINI'S DRESSING ROOM:

A portrait of actor John Carradine who, according to news
items and production charts, was to have appeared
in this film.

A possible portrait of actress Joyce Compton who also, according to
news items and
production charts, was to have appeared in this film.
This same photo can be seen in the performers' dressing room at
Manolo's Cabaret in Charlie Chan in Panama (see below).

THE ITEMS THAT FELL FROM JIMMY CHAN'S COAT WHILE ON STAGE:
Rubber balls, a fake bouquet of flowers, a fake dead duck, a live white rabbit, a live white dove
GLOSSARY:
Batwa tribe - Located within the borders of present day Rwanda, the Batwa are among the "pygmy" peoples of central Africa.
Sign: "PIGMY HUNTER (BATWA TRIBE)"
big shot
- (Idiom) An important or influential person.
Pete Lewis: "Rhadini's
improved now, Charlie, he's a big shot."
Billy Goat
Hill - A location at the top of Beacon Street in the southern portion of the city of San Francisco, California.
Today, the location of Billy Goat Hill Park.
Deputy Chief J.J. Kilvaine: "Well, Charlie,
if this don't send me back to Billy Goat Hill pounding pavement..."
buffaloed
- (Slang) (1) To intimidate, as by a display
of confidence or authority. (2) To deceive; hoodwink. (3)
To confuse; bewilder.
Pete Lewis: "...you might have her buffaloed,
but you don't fool me!"
Charlie
McCarthy - A famous character created by ventriloquist Edgar Bergen (1903-1978). Early performances
were in vaudeville and one-reel movie shorts, but Bergen and Charlie McCarthy achieved greatest success on the radio.
He and Charlie were seen at a Hollywood party by Noel Coward, who recommended them for an appearance on Rudy Vallee's program.
Their appearance was so successful that the next year they were given their own show. Under various sponsors, they were
on the air from 1937 to 1956.
Charlie Chan: "Doctor
excellent ventrilloquist - uncle maybe to Charlie McCarthy."

Chinese Pagoda
- Called the Golden Pagoda of Chinatown, this structure was the prominant feature of the Chinese Village section
of the Golden Gate International Exposition, held at Treasure Island in San Francisco from 1939 to 1940. A
pagoda is a religious building of the Far East, especially a multistory Buddhist tower, erected as a memorial or shrine.
Jimmy Chan: "That's the Chinese
Pagoda."
chin fest
- (Idiom) A lengthy conversation.
Deputy Chief J.J.
Kilvane: "You and I are going to have an old fashioned chin fest, Charlie."
Clipper (Pan American World Airways
Clipper) - On November 11, 1935, Pan American Airway's China
Clipper, a Martin M-130 flying boat, made the first transpacific airmail flight from San Francisco to Honolulu, Midway
Island, Wake Island, Guam, and Manila in the Philippines.
The China Clipper was the largest flying boat ever, and gave passengers the opportunity to fly in airborne luxury.
The Clipper had a spacious lounge which was wider than a Pullman club car. In the lounge, passengers could
sit in broad armchairs, and they could dine on food served on china.
Following the route pioneered by Captain Musick, Pan
American World Airways Clippers flew on a schedule of stops that stretched from San Francisco to Manila. Hong
Kong was soon added as the final leg of a journey that would allow passengers to fly all the way from the U.S. mainland
to China.
Although the Clippers were each named for their destinations,
that is, Hawaii, Philippine, and China, they were commonly referred to as "China Clippers."
The China Clipper cruised at about 160 miles per hour and had a range of 3,200 miles. Later models that
were added to the Clipper fleet could cruise at just over 180 miles per hour at a range of about 3,500
miles. A flight between San Francisco and Honolulu cost passengers a hefty $720 and would take between 18 and 20 hours,
flying at an altitude of about 8,000 feet.
Regular Clipper service between Honolulu and the mainland
continued throughout the 1930s and into the start of the next decade until the Japanese attack on Pearl Harbor.
Charlie Chan made fairly regular use of
the Clipper route between Honolulu and San Francisco, flying on the plane to the mainland in Charlie Chan's Secret, Charlie
Chan at the Olympics, Charlie Chan in Reno, and Charlie Chan at Treasure Island.
cobwebs - Confusion; disorder.
Paul Essex: "This trip blew the cobwebs
out of my head."
dope
- (Slang) Information.
Pete Lewis: All kinds of dope
about all kinds of people."
ectoplasm
- (1) The visible substance believed to emanate from the body of a spiritualistic medium
during communication with the dead. (2) An immaterial or ethereal substance, especially
the transparent corporeal presence of a spirit or ghost.
Charlie Chan: "Ectoplasm
most interesting - ghost filled with hot air."
four-flusher
- (Slang) One who makes empty claims; a bluffer.
Pete Lewis: "Why, you cheap four-flusher..."
gave...the
slip - (Idiom) To escape the pursuit of.
Jimmy Chan: "Gregory gave
me the slip at Customs."
Golden Gate
International Exposition - Held on Treasure Island in San Francisco Bay from from February 18 through
October 29, 1939 and from May 25 to October 29, 1940, the Golden Gate International Exposition, which provides the backdrop
for much of Charlie Chan at Treasure Island, demonstrated an eclectic blending of European, Eastern and Latin
American architectural, landscape, and artistic styles. Evoking the exoticism of Pacific Rim cultures such as the Mayas,
Incas, Malaysians, and Cambodians, many of the architectural structures reflected a nostalgic look at past civilizations.
However, there were examples of a stream-lined, international style architecture, seemingly out of place with these other
styles, but meant to reflect western nations along the Pacific Rim. Reinforcing this theme of modernism and technological
innovation was the celebration of the earlier completion of the Golden Gate and San Francisco/Oakland Bay Bridges.
The "West Coast World's
Fair" created a distinctive environment, reflecting the dreams and aspirations of its time. Its theme, the "Pageant
of the Pacific" allowed the exposition to look out beyond the continental United States to the Pacific Rim, not only accommodating
these diverse cultures, but also making them the focus of the exhibition. This theme was developed in much of the programming,
architectural design and realization of the fair. Architectural contributors included Arthur Brown, Jr., George Kelham,
Lewis Hobart, William Merchant, Bernard Maybeck and Timothy L. Pflueger.
The Golden Gate International Exposition also took advantage
of the high-tech developments, especially noted in the lighting of the fair. Jesse Stanton played the role of Jules
Guerin as master colorist; and dramatic, indirect lighting, under the control of A.F. Dickerson, was used once again.
Women played a prominent role in this exhibition, not only in helping with organization, but being focused upon as contributors
to art exhibitions and to the special events at the fair.
The fair at Treasure Island, as with all international
expositions, attempted to bring together the diverse populations of the world in peace. Situated on either side by two
major difficult times, the Depression and World War II, the Golden Gate International Exposition was the last fair of this
scale hosted by California.
Adapted from: Hard Times, High
Expectations: Golden Gate International Exposition, www.bancroft.berkeley.edu.
The Golden Gate International Exposition was the location of much of the action seen in Charlie Chan at
Treasure Island.

gutter snipe
- (Idiom) A neglected boy running at large; a street Arab.
Bessie Sibley: "Why,
that jealous gutter snipe!"
gyp
- (Slang) (1) A fraud or swindle. (2) One who defrauds; a swindler.
Pete lewis: "...I'll give you a blast
in print that'll run you out of this town with your gyp fortune telling!"
hook,
line, and sinker - (Informal) Without reservation; completely.
Pete Lewis: "Zodiac took it hook,
line, and sinker."
joint -
(Slang) (1) A cheap or disreputable gathering place.
(2) A building
or dwelling.
Taxicab Driver: "I know this spook joint."
laid an egg
- (Informal) Having failed, especially in a public performance.
Fred Rhadini: "...since the first magician
laid an egg."
lay...cards
on the table - (Idiom) To make frank and clear revelation, as of one's
motives or intentions.
Thomas Gregory: "Mr. Chan, I've come to
lay my cards on the table."
layout
- (informal) An establishment or property, especially a large residence or estate.
Pete Lewis: "Boy, what a layout."
mugs
- Thugs, hoodlums.
Deputy Chief J.J. Kilvaine: "Now listen
you two mugs..."
nail
- (Slang) To stop and seize; catch.
Pete Lewis: "Now we
can nail him."
nicked
- Cut short; checked.
Jimmy Chan: "...but we nicked
this case."
on the level -
(Idiom) Without deception; honest.
Jimmy Chan: "Let's call up the Granville
Insurance Company and find out if Gregory's on the level."
pegged
- (Informal) To classify; categorize.
Jimmy Chan: "Gee, Pop, I certainly had
him pegged wrong."
pin -
(Slang) To attribute a crime to someone.
Jimmy Chan: "Boy, am I going to pin
it on him."
pinch
- (Slang) To take into custody; arrest.
Charlie Chan: "Would favorite son like to make personal
pinch?"
police blotter
- The daily written record of events (as arrests) in a police station.
Pete Lewis: "...ever since I started covering
the police blotter at the old Powell Street station."
pounding pavement
- (Idiom) Traveling the streets on foot; walking a particular
route over and over, as a policeman who pounds a beat.
Deputy Chief J.J. Kilvaine: "Well, Charlie,
if this don't send me back to Billy Goat Hill pounding pavement, I'm an Eskimo!"
Powell Street
- A major street on San Francisco, California which traverses much of the city and crossing near to the western
boundary of Chinatown.
Pete Lewis: "...ever since I started covering
the police blotter at the old Powell Street station."
pseudologia
fantastica - An elaborate and often fantastic account of exploits that is false but that the teller believes
to be true.
Charlie Chan: "He is man of great ego
with disease known to science as pseudologia fantastica." (Charlie Chan continues, reading from History of Psychiatry by Kahne:
'Pathological liars and swindlers suffer from exaggerated fantasy, unleashed vanity, and great ambition which robs them of
caution known to saner men.'")
racket
- (Slang) A business or occupation.
Pete Lewis: "...to write a story about
the spook racket?"
San Francisco-Oakland
Bay Bridge (Bay Bridge) - A toll bridge
which spans San Francisco Bay and links the
cities of Oakland and San Francisco, and
is the busiest bridge in the United States. The Bay Bridge opened for traffic on November 12, 1936, six months
before San Francisco's famous Golden Gate Bridge.
The San Francisco-Oakland Bay Bridge can be seen during its constriction in
Charlie Chan's Secret as the plane carrying Chan to San Francisco prepares to arrive at that city. The bridge
can also be seen in Charlie Chan at Treasure Island in the background as Charlie Chan arrives with son, Jimmy, via
Clipper flying boat, at San Francisco's Treasure Island.

squeezing - (Slang)
(1) Extracting by dishonest means; extorting. (2) Pressuring or intimidating (someone) to comply
with a demand, as to make an extortion payment.
Deputy Chief J.J. Kilvane: "Was he squeezing Paul Essex?"
PAN AMERICAN WORLD AIRWAYS "CLIPPER":

Pan American World
Airways Clipper in the seaplane harbor at Treasure Island in San Francisco Bay.
On November 11, 1935, Pan American Airway's China Clipper,
a Martin M-130 flying boat, piloted by Captain Edwin C. Musick, made the first transpacific airmail flight from San Francisco
to Honolulu, Midway Island, Wake Island, Guam, and Manila in the Philippines.
The China Clipper was the largest flying boat ever, and gave passengers the opportunity to fly
in airborne luxury. The Clipper had a spacious lounge which was wider than a Pullman club car. In the lounge,
passengers could sit in broad armchairs, and they could dine on food served on china.
Following the route pioneered by Captain Musick, Pan
American World Airways Clippers flew on a schedule of stops that stretched from San Francisco to Manila. Hong
Kong was soon added as the final leg of a journey that would allow passengers to fly all the way from the U.S. mainland
to China.
Although the Clippers were each named for their destinations,
that is, Hawaii, Philippine, and China, they were commonly referred to as "China Clippers."
The China Clipper cruised at about 160 miles per hour and had a range of 3,200 miles. Later models that
were added to the Clipper fleet could cruise at just over 180 miles per hour at a range of about 3,500
miles. A flight between San Francisco and Honolulu cost passengers a hefty $720 and would take between 18 and 20 hours,
flying at an altitude of about 8,000 feet.
Regular Clipper service between Honolulu and the mainland
continued throughout the 1930s and into the start of the next decade until the Japanese attack on Pearl Harbor. Charlie
Chan made fairly regular use of the Clipper route between Honolulu and San Francisco, flying on the plane to the mainland
in Charlie Chan's Secret (1936), Charlie Chan at the Olympics (1937), Charlie Chan in Reno
(1939), and Charlie Chan at Treasure Island (1939).

TREASURE ISLAND, SITE OF THE 1939 SAN FRANCISCO
WORLD'S FAIR:
Trail's End for '39ers
During the last decade the world's two largest bridges
have been flung across San Francisco Bay...and to celebrate their completion, the world's largest man-made island
now has risen from the waves.

Zoe Del Lantis, Exposition Theme Girl,
innaugurates
United Air Lines DC-3 Mainliner
express service to the
Pacific Northwest,
April 1939. Photo by Haas-Schreiner.
Beneath the level waters of the Bay is an uneven terrain
down to 2 to 382 feet. Mariners long have avoided the treacherous shoals just north of Yerba Buena Island, in no place
deeper than 26 feet. These watery acres were waste territory -- until it was decided to create upon them the site
of the Golden Gate International Exposition, to be known as Treasure Island during 1939 and thereafter to become an airport
for the trans-Pacific clipper ships.
Rock walls composed of 287,000
tons of quarried rock were sunk in the shoals. Twenty million cubic yards of sea bottom were dredged up and piled within the
walls. When the sand was 13 feet above sea level, engineers "unsalted" it by a leaching process. Barges brought 50,000
cubic yards of loam from the mainland to enrich it. When the engineers finished, a 400-acre island, a mile long and
two-thirds of a mile wide, had appeared in the Bay, connected by a 900-foot paved causeway to the Bay Bridge and equipped
with ferry slips and landings for small craft and flying boats.
Meanwhile botanists were hunting
through all the continents for unusual trees and plants. For many months orchids, hibiscus, datura, rare silver trees,
orange trees, and palms were acclimated in a San Francisco plant hospital, where also are the electrically heated propagation
beds that bring to bloom the plants to compose the ever-changing floral patterns of the Fair grounds. Horticultural
plans call for planting 4,000 trees, 70,000 shrubs, and 700,000 flowering plants. To sprinkle the plants--and quench
the thirst of visitors--San Francisco water was piped over the San Francisco-Oakland Bay Bridge to a 3,000,000-gallon
reservoir cut in the solid rock of Yerba Buena Island.
With federal aid were commenced three permanent structures that later
will serve the airport--the $800,000 administration building and the two $400,000 steel and concrete hangars, each 335 feet
long and 78 feet high, used temporarily to house the $20,000,000 art exhibits and the foreign treasures loaned for the Fair.
Finally, around these structures, began to rise a $50,000,000 fantasy -- America's World's Fair on the Pacific.
The fair grounds are designed
as a walled city, enclosing a series of connected courts. Although a primary consideration was to plan step-saving
routes across the 400 acres, the effect first noticed is the island's beauty--its vistas of pools, gardens, and lagoons, bordered
with exotic buildings representing the Pacific nations. Cambodian, Mayan, and Incan motifs give a charming strangeness to
this modern Exposition "city."
From the Central Court, where the Island's two systems of avenues
and courts intersect, rises the 400-foot Tower of the Sun. Northward the mile-long Avenue of the Seven Seas leads to
the Court of Pacifica, portal to the Fair's open-air pageant, the Cavalcade of the Golden West; southward, to the Port
of the Trade Winds, anchorage for trade ships, junks, square riggers and yachts. The main cross-avenue leads to
the central Court of Honor into the Court of the East and thence to the lake of All Nations, a lagoon overlooked by the $1,500,000
United States Government Building and exhibit area. At the north end of the island, next to the 12,000-car parking
lot, lies the Gayway, a 40-acre fun zone, with its cyclone coaster, rocket ship, giant crane, and other thrill rides and shows.
In the exhibit pavilions,
visitors will see a $1,000,000 "mineral mountain" of ore with miniature models showing gold mining operations and a $1,000,000
relief map of Western America--so large that the borders of the States can be traversed on foot paths. They will witness
demonstrations of the electric eye, television, electronic music, atom-smashing, chemical agriculture. The latest
sub-stratosphere transport planes--even Douglas Corrigan's famed "Corrigan Crate"--will be on exhibition. Forty or more foreign
nations will exhibit in the International Building and Pacific Nations' Exhibit Area; the United States and nearly half the
States of the Union, in the Federal Building and Hall of Western States; the State and Counties of California, in the California
Building Group. A cross-section of American business and industry will be displayed in pavilions and exhibits valued
at more than $15,000,000--the Halls of Varied Industries, Electricity and Communications, Foods and Beverages, Homes
and Gardens, Mines, Metals, and Machinery, Science, and Vacationland. The Fair's Gayway, a mile-long circular boulevard,
will be lined with showplaces--the Chinese City, Hollywood Boulevard, Streets of the World, and many others.
The island's colors, stimulating,
unforgettable, represent the first extensive application of chromotherapy--the science of health treatment by color usage.
In the daytime the effects are gained with flowers and tinted walls; at night, with fluorescent tubes, with the new "black
light," with ultra-violet floods, underwater lamps, translucent glass fabric pillars, and cylindrical lanterns 75 feet
high. Some of the flower beds are played upon by artificial moonlight, others bathed in sunshine created out of neon
and mercury. The $1,000,000 illumination program presents at nightfall the illusion of a magic city of light, floating
on the waters of San Francisco Bay.
From: Almanac for Thirty-Niners, compiled
by the Workers of the Federal Writers' Project of the Works Progress Administration in the City of San Francisco, 1938.
PHOTOS FROM THE GOLDEN GATE INTERNATIONAL
EXPOSITION:

An aerial view of the Golden Gate International
Exhibition
held on Treasure Island near San Francisco
in 1939.

The Court of Pacifica. "Pacifica,"
the 80-foot statue by
Ralph Stackpole, is visible at the end
of the court.

The Temples of the East.

A nighttime view of the Court of
the Moon.
A MAP OF THE GOLDEN GATE INTERNATIONAL EXPOSITION:
Please click here for larger version map.


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